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	<title>letiziaartioli.com</title>
	<link>https://letiziaartioli.com</link>
	<description>letiziaartioli.com</description>
	<pubDate>Tue, 24 Jun 2025 15:57:29 +0000</pubDate>
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		<title>FOOTER COPYRIGHT</title>
				
		<link>https://letiziaartioli.com/FOOTER-COPYRIGHT</link>

		<pubDate>Thu, 23 Jan 2020 10:49:58 +0000</pubDate>

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© COPYRIGHT LETIZIA ARTIOLI 2023
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		<title>Home Image Scroll</title>
				
		<link>https://letiziaartioli.com/Home-Image-Scroll</link>

		<pubDate>Tue, 05 Nov 2019 16:49:27 +0000</pubDate>

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︎ S.O.I.L. Sensing Outer Identities Landscape︎&#38;nbsp;Lullaby for Floods︎ Data Turbulences
 ︎&#38;nbsp;Climate Entity 002 &#38;nbsp;






︎ De Rerum Invisibilia&#38;nbsp;︎&#38;nbsp; Melted Landscape&#38;nbsp;
 ︎

Liquid Cosmos 


︎

 Inescapable Entanglement&#38;nbsp;Ars Electronica 22&#38;nbsp;


︎

Venice Climate Change Pavilion ︎ 
44° 24′ 45.14″ N; 8° 55′ 40.77″

 SANCTA URBANA 
︎&#38;nbsp;Floating - Swallowing - Swimming&#38;nbsp;

︎&#38;nbsp;Paper Labyrinth&#38;nbsp;



: READING SPACE : (RESEARCH + SCIENTIFIC PUBLICATIONS) :
︎ LAGOONSCAPES &#124;6&#124;1&#124;26&#124;// “SIPHONOPHORAE SOCIETY”︎ IMG JOURNAL VOL.12&#38;nbsp; &#38;nbsp;// “WEATHERSCAPING- AN ATLAS OF BITS,ATOMS AND&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;CLOUDS”︎ALMANAC.STRUER TRACKS //
“WEATHERSCAPES ATLAS”
︎ SEAVOICE SENSE VOL.V // “HUMANS OF THE LAGOON” ︎ OCEAN ARCHIVE.ORG&#38;nbsp; &#38;nbsp; // “FLOATING-SWIMMING-SWALLOWING”&#38;nbsp;︎ UNEARTHODOX&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; // “YOU ARE A BUTTERFLY UNTIL YOU DON’T FLAP YOUR&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;WINGS
”

︎ VCCP&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;// HUMANS NOWHERE - A NEON MANIFESTO AND 3&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;LULLABIES FOR THE BIENNALOCENE



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	<item>
		<title>LULLABY FOR FLOODS</title>
				
		<link>https://letiziaartioli.com/LULLABY-FOR-FLOODS</link>

		<pubDate>Tue, 25 Jun 2024 15:01:05 +0000</pubDate>

		<dc:creator>letiziaartioli.com</dc:creator>

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		<description>Lullaby For Floods

Performative Installation
Mediamatic, Amsterdam,NL
Sept-Oct 2025

&#60;img width="1536" height="2752" width_o="1536" height_o="2752" data-src="https://freight.cargo.site/t/original/i/654e214f23164cadc1e6aec6a20b9c5353435c745d48cad6e3fa3242ed38eff5/Lullaby-for-Floods-Mediamatic.png" data-mid="250408010" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/654e214f23164cadc1e6aec6a20b9c5353435c745d48cad6e3fa3242ed38eff5/Lullaby-for-Floods-Mediamatic.png" /&#62;. &#38;nbsp;&#60;img width="729" height="1124" width_o="729" height_o="1124" data-src="https://freight.cargo.site/t/original/i/46ff133449ae9847f324de6ca88e488c5889eed36046bd399d1a45a0fafbdb54/Lullaby-for-Floods-Mediamatic.jpg" data-mid="250408015" border="0" data-scale="37" src="https://freight.cargo.site/w/729/i/46ff133449ae9847f324de6ca88e488c5889eed36046bd399d1a45a0fafbdb54/Lullaby-for-Floods-Mediamatic.jpg" /&#62;




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Lullaby for Floods is a live sonic composition and a performative installation. 
The lullaby embeds data from disruptive floods happened between 2024 and 2025 in Emilia-Romagna region (IT), live weather data (the cloud scanning from weather satellite data) at the moment of the live performance, and field recordings of flooded places before and after the flood.&#38;nbsp;

Human bodies act like turbulences inside the nebulization. Humans are invited to move into the space during the composition, since rain falls regardless. The work aims to be a lullaby co-composition between humans and water, between the turbulences and flows characterizing our time, where after the floods, crickets and pollinators come back .The installation premiered and performed at Mediamatic (Amsterdam, NL) during September 2025 as part of the Aquatope Program.






CREDITS
Videos: Jinglei Zhang, Joseph Kennel


MATERIALS:Sensors, Webcam, Projectors, Water
BITS:
Radio Aporee Database,
Copernicus, ESA



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		<title>DATA TURBULENCES</title>
				
		<link>https://letiziaartioli.com/DATA-TURBULENCES</link>

		<pubDate>Wed, 26 Jul 2023 14:10:19 +0000</pubDate>

		<dc:creator>letiziaartioli.com</dc:creator>

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		<description>
TOOLOOSELETRACK
︎DATA TURBULENCES︎
Filling The Void&#38;nbsp;
The Grey Space in The Middle / Den Haag, NL


Water, Real Time Data, PIR, Webcam, Projector(s)


2023








&#60;img width="3625" height="5437" width_o="3625" height_o="5437" data-src="https://freight.cargo.site/t/original/i/99dc3b37439ce24d9ac8445f380d30ceb667999e3b496ac23ee43ee8e99b300c/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_22.jpg" data-mid="186320974" border="0"  src="https://freight.cargo.site/w/1000/i/99dc3b37439ce24d9ac8445f380d30ceb667999e3b496ac23ee43ee8e99b300c/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_22.jpg" /&#62;
	


Inspired by the drought(s) in the Po valley in Italy, where it has not rained for over 150 days, TOO LOOSE LE TRACK uses data visualisation to create an interactive human movement mellotron that entangles the soun of moving bodies inside a responsive projection. Based on CO2 satellite data, these projections will interact as a particle system of light revealing how our bodies, breaths and liquids are entangled with apparently far-from-home data.
The installation breathes the H2O
particles on which our bodies relyon to survive. Aiming to reveal the
co-dependency of our dreams to the
external/extreme droughts happening
right now, in this tension between
scales, aerial and liquid, molecules and rivers, data and bodies,&#38;nbsp; inhabitants of the space become protagonists of the installation, shaping
the space by being composers and being composed. Together they
create a third, new landscape, drawn
from the movement of bodies in space,from echoes of lost ecosystems,
and our continuous exchange of particles
with the world.







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The installation is based on 33 soundtracks of landscapes disappeared
between 1993 and 2023, following a
CO2 particle from her birth in oil extraction in Bahrain to a whale’s
dead body on Norway’s coast. While floating, we fly over the Po Valley,
crossing the dry mud and the mosquitoes’
dreams.The installation runs on a bucket of
water 12 liters, as a limited resource.It is the average quantity
of water that should have rained
daily in a limited area on a spring-
-rain season.On the floor, you will find 6 tanks
of 20 litres, the average quantity of water used par person to survive 4
days in time of droughts.
It has not rained for 150 days, then suddenly, the 17th of May, everything was flooded.




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&#60;img width="5373" height="3582" width_o="5373" height_o="3582" data-src="https://freight.cargo.site/t/original/i/af242707c5c6f6271f5dc88c130a4ca9bbfa6e00280511d852fa1c48f737fd91/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_18.jpg" data-mid="186321388" border="0"  src="https://freight.cargo.site/w/1000/i/af242707c5c6f6271f5dc88c130a4ca9bbfa6e00280511d852fa1c48f737fd91/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_18.jpg" /&#62;
&#60;img width="4165" height="2777" width_o="4165" height_o="2777" data-src="https://freight.cargo.site/t/original/i/fdea42d113985b641293189cd8a89251d45dacae36f2ab092ca57123bc0d2557/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_14.jpg" data-mid="186320795" border="0"  src="https://freight.cargo.site/w/1000/i/fdea42d113985b641293189cd8a89251d45dacae36f2ab092ca57123bc0d2557/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_14.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/50564ad58b470607a0913342ced078414244fb23b39d5f28425d61c66169adb9/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_24.jpg" data-mid="186320975" border="0"  src="https://freight.cargo.site/w/1000/i/50564ad58b470607a0913342ced078414244fb23b39d5f28425d61c66169adb9/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_24.jpg" /&#62;


	

	
	



TOO LOOSE LE TRACK aims to express
the changeling phenomena of feeling
entangled to the beauty of disruptive phenomena, where echoes of lost landscapes express the
timing of nature as fluctuating present ghosts. 
It exchanges our inner
floods with external droughts,
and we escape our inner droughts to
swallow into external floods. 
Like
painter Henri de Toulouse-Lautrec,we can just sit and stare at the
dance of lost particles as we are
spectators of present ruins/future
ghosts and composers of present ghosts/future ruins.

&#60;img width="4165" height="2777" width_o="4165" height_o="2777" data-src="https://freight.cargo.site/t/original/i/27867f75cee2df7610c2c1f1bf1eebcd3af8b762fd1dfe29356e38f910c21eb3/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_14.jpg" data-mid="186321005" border="0"  src="https://freight.cargo.site/w/1000/i/27867f75cee2df7610c2c1f1bf1eebcd3af8b762fd1dfe29356e38f910c21eb3/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522_14.jpg" /&#62;
&#60;img width="4678" height="3308" width_o="4678" height_o="3308" data-src="https://freight.cargo.site/t/original/i/83918330035d5cc2fe5baeeda28556ea5e421f1494fedcaa5dffb10df358f490/metadata-booklet-a3_Pagina_2.jpg" data-mid="186556689" border="0"  src="https://freight.cargo.site/w/1000/i/83918330035d5cc2fe5baeeda28556ea5e421f1494fedcaa5dffb10df358f490/metadata-booklet-a3_Pagina_2.jpg" /&#62;
&#60;img width="2339" height="3308" width_o="2339" height_o="3308" data-src="https://freight.cargo.site/t/original/i/5006d8f452bdfb48e637b6555cbbfd8896bfd0c247af099482f3d5e4791a224b/metadata-booklet-a3_Pagina_1.jpg" data-mid="186556686" border="0"  src="https://freight.cargo.site/w/1000/i/5006d8f452bdfb48e637b6555cbbfd8896bfd0c247af099482f3d5e4791a224b/metadata-booklet-a3_Pagina_1.jpg" /&#62;
&#60;img width="2339" height="3308" width_o="2339" height_o="3308" data-src="https://freight.cargo.site/t/original/i/f13464a613694ccb83b9127deea7858f34eb90fbbfd1fd179c93d005e9bd3de6/metadata-booklet-a3_Pagina_6.jpg" data-mid="186556705" border="0"  src="https://freight.cargo.site/w/1000/i/f13464a613694ccb83b9127deea7858f34eb90fbbfd1fd179c93d005e9bd3de6/metadata-booklet-a3_Pagina_6.jpg" /&#62;
&#60;img width="4678" height="3308" width_o="4678" height_o="3308" data-src="https://freight.cargo.site/t/original/i/dae51d010d5c7be5171c834deab7bc208d7579f1c4156972ad3d6bc8e770dd18/metadata-booklet-a3_Pagina_5.jpg" data-mid="186556698" border="0"  src="https://freight.cargo.site/w/1000/i/dae51d010d5c7be5171c834deab7bc208d7579f1c4156972ad3d6bc8e770dd18/metadata-booklet-a3_Pagina_5.jpg" /&#62;
&#60;img width="4678" height="3308" width_o="4678" height_o="3308" data-src="https://freight.cargo.site/t/original/i/f7e37bef9888ae9a48679e0e884565fd62a3c9cdc463c17b624d0ec2f6039513/metadata-booklet-a3_Pagina_4.jpg" data-mid="186556696" border="0"  src="https://freight.cargo.site/w/1000/i/f7e37bef9888ae9a48679e0e884565fd62a3c9cdc463c17b624d0ec2f6039513/metadata-booklet-a3_Pagina_4.jpg" /&#62;
&#60;img width="4678" height="3308" width_o="4678" height_o="3308" data-src="https://freight.cargo.site/t/original/i/6c3b12005ab3724a23c320565307d9bf5988f6ab0d577d22643d2e9d995351b6/metadata-booklet-a3_Pagina_3.jpg" data-mid="186556693" border="0"  src="https://freight.cargo.site/w/1000/i/6c3b12005ab3724a23c320565307d9bf5988f6ab0d577d22643d2e9d995351b6/metadata-booklet-a3_Pagina_3.jpg" /&#62;




















TOO LOOSE LE TRACK is part of an ongoing research and project called Data Turbolences(L.Artioli,2023), aka “How climate data can liquefy, materialise and
regenerate (in) public spaces: from Bits to Waves, redesigning the liquid mesh
of reality”.



Data Turbolences investigates the relationship between
human beings and environmental data as a matter for research and creation by
entangling climate data and its inhabitants. Waving together the individual
with the global, allowing us to understand how we are all intrinsically
entangled on a molecular scale with the surrounding matter(s). How do we
perceive our influence on and in space? The challenge is to further the way we
tackle informations,at the crossover of “bits and atoms” (Ishii &#38;amp; oth,1997).The aim is to develop
what make climate debate tangible, embodied and embedded (Battisti, Santucci,2020).Data are nebulized and
liquefied

(Baumann,2005)

as the new matter that shapes space.



We are inextricably linked to the landscape we inhabit
as citizens as dendrites, as eco-systemic and non-ego-systemic beings.
We are living data turbolences.









&#60;img width="2706" height="4059" width_o="2706" height_o="4059" data-src="https://freight.cargo.site/t/original/i/3899d25160e2fda1780cbbaa2b982686fa80f4b8afdbed8275bc7059f65a56ff/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522.jpg" data-mid="186320771" border="0"  src="https://freight.cargo.site/w/1000/i/3899d25160e2fda1780cbbaa2b982686fa80f4b8afdbed8275bc7059f65a56ff/AndreaBonderupFillingtheVoid_LeitiziaArtioli230522.jpg" /&#62;

 &#38;nbsp;
	
	How far can I escape

exterior droughts?

How far can we escape

inner floods?

How long can I survive

inner droughts?

How long can we escape

exterior floods?
	






MATERIALS:

FLOOR: Water bags 20L, Soft pvc tubes, Led lights,Air PumpCEILING:PIR Sensors, Webcam, Projectors, Water

BITS:
Radio Aporee Database,ANSA Metereological Observatory
Copernicus, ESA

CREDITSCurator/Filling The Void:Yannik Güldner
Photo Credit: Andrea Bonderup
Videos: Yuan Yuan,Eduardo Mendes</description>
		
	</item>
		
		
	<item>
		<title>MELTED LANDSCAPE 01</title>
				
		<link>https://letiziaartioli.com/MELTED-LANDSCAPE-01</link>

		<pubDate>Thu, 16 Feb 2023 17:25:17 +0000</pubDate>

		<dc:creator>letiziaartioli.com</dc:creator>

		<guid isPermaLink="true">https://letiziaartioli.com/MELTED-LANDSCAPE-01</guid>

		<description>

MELTED LANDSCAPE 01Responsive Projection, SoundtrackChiesa della Misericordia, VeniceAMBIENTI SONORI x PP2023



A journey between the Lagoon Limphatic System and the human Vitreous Humor.

Generating a third landscape between sound and the Lagoon Lymphatic System. 
Porous satellite data melting on live sets from the ancient ballatoio of the Misericordia Church.






BACKSTAGE:
&#60;img width="1535" height="2048" width_o="1535" height_o="2048" data-src="https://freight.cargo.site/t/original/i/11550ac6b0fd205652a7c21f2e5e6bfb1ae941802d8e5bb3f1fe452540f92015/IMG-20230216-WA0001.jpg" data-mid="186563484" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/11550ac6b0fd205652a7c21f2e5e6bfb1ae941802d8e5bb3f1fe452540f92015/IMG-20230216-WA0001.jpg" /&#62;
&#60;img width="8000" height="6000" width_o="8000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/30143386ee998f531349ce4a6db15ae4efaf02cd72cd669190a90b220c2ecab5/20230215_212111.jpg" data-mid="186564482" border="0"  src="https://freight.cargo.site/w/1000/i/30143386ee998f531349ce4a6db15ae4efaf02cd72cd669190a90b220c2ecab5/20230215_212111.jpg" /&#62;
&#60;img width="6000" height="8000" width_o="6000" height_o="8000" data-src="https://freight.cargo.site/t/original/i/cf4e39a8ffde2a3ea29a318418dba49313ff92c3ae45f84d9311ac38b1b72e57/20230215_130617-1.jpg" data-mid="186563564" border="0"  src="https://freight.cargo.site/w/1000/i/cf4e39a8ffde2a3ea29a318418dba49313ff92c3ae45f84d9311ac38b1b72e57/20230215_130617-1.jpg" /&#62;
&#60;img width="8000" height="6000" width_o="8000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/46b770b3ae1b27b9d4f48d24628414c89421f8e7611c3dda860ec1afdfac8292/20230215_212129.jpg" data-mid="186563518" border="0"  src="https://freight.cargo.site/w/1000/i/46b770b3ae1b27b9d4f48d24628414c89421f8e7611c3dda860ec1afdfac8292/20230215_212129.jpg" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/62f7d4166a63d93b064d48d77137f04d77a36fcc3919502931f254b57f0f980d/Foto-da-Letizia.jpg" data-mid="186563498" border="0"  src="https://freight.cargo.site/w/1000/i/62f7d4166a63d93b064d48d77137f04d77a36fcc3919502931f254b57f0f980d/Foto-da-Letizia.jpg" /&#62;
&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f1827a4615dad3c91771de194e1f3fc75fdd4c7bec78aaaeeef071a9516c1788/20230215_212101.jpg" data-mid="186564497" border="0"  src="https://freight.cargo.site/w/1000/i/f1827a4615dad3c91771de194e1f3fc75fdd4c7bec78aaaeeef071a9516c1788/20230215_212101.jpg" /&#62;
&#60;img width="1535" height="2048" width_o="1535" height_o="2048" data-src="https://freight.cargo.site/t/original/i/081e38bc186a0bc7343d4fae2c4e11dff4852ab176c8180578d9036c8f151d8f/Foto-da-Letizia-2.jpg" data-mid="186563496" border="0"  src="https://freight.cargo.site/w/1000/i/081e38bc186a0bc7343d4fae2c4e11dff4852ab176c8180578d9036c8f151d8f/Foto-da-Letizia-2.jpg" /&#62;
&#60;img width="2794" height="2930" width_o="2794" height_o="2930" data-src="https://freight.cargo.site/t/original/i/65bb4a74468566b026b2c5c4b497af81798c989aed58b34bcfaf40e09bf2d797/20230215_212059.jpg" data-mid="186563461" border="0"  src="https://freight.cargo.site/w/1000/i/65bb4a74468566b026b2c5c4b497af81798c989aed58b34bcfaf40e09bf2d797/20230215_212059.jpg" /&#62;

&#60;img width="1464" height="1098" width_o="1464" height_o="1098" data-src="https://freight.cargo.site/t/original/i/707f92c94d41577d39d4dcd922d646d23510bd11bd88f6ddf23a66baf2417827/20230228_170657.gif" data-mid="170033137" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/707f92c94d41577d39d4dcd922d646d23510bd11bd88f6ddf23a66baf2417827/20230228_170657.gif" /&#62;&#60;img width="1042" height="582" width_o="1042" height_o="582" data-src="https://freight.cargo.site/t/original/i/a3535df7b00f8ad0d02a718ace0a0f4078bf63664bafcc47938bcc17ef6d5db2/Immagine-2023-02-17-125120-2.jpg" data-mid="170053843" border="0"  src="https://freight.cargo.site/w/1000/i/a3535df7b00f8ad0d02a718ace0a0f4078bf63664bafcc47938bcc17ef6d5db2/Immagine-2023-02-17-125120-2.jpg" /&#62;&#60;img width="1035" height="583" width_o="1035" height_o="583" data-src="https://freight.cargo.site/t/original/i/843a3d112c7f9a2fe8b9f54770a5dab9af96b605a29a7e99ea5ecbd751e1f2ff/UDHYGUFISAD.jpg" data-mid="170053851" border="0"  src="https://freight.cargo.site/w/1000/i/843a3d112c7f9a2fe8b9f54770a5dab9af96b605a29a7e99ea5ecbd751e1f2ff/UDHYGUFISAD.jpg" /&#62;
&#60;img width="2048" height="921" width_o="2048" height_o="921" data-src="https://freight.cargo.site/t/original/i/1c41dd7dc7395db5270b85b3ae7df98a1894796735385d83bc0c53eaffa37352/IMG-20230216-WA0055.jpg" data-mid="186563611" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/1c41dd7dc7395db5270b85b3ae7df98a1894796735385d83bc0c53eaffa37352/IMG-20230216-WA0055.jpg" /&#62;

&#60;img width="1037" height="588" width_o="1037" height_o="588" data-src="https://freight.cargo.site/t/original/i/3844eee89d7b7479df0446b66789c7200fdf0f682da1264e85fb8415e1eb33c1/UDHYGUFISAD12.jpg" data-mid="170053849" border="0"  src="https://freight.cargo.site/w/1000/i/3844eee89d7b7479df0446b66789c7200fdf0f682da1264e85fb8415e1eb33c1/UDHYGUFISAD12.jpg" /&#62;
&#60;img width="1042" height="587" width_o="1042" height_o="587" data-src="https://freight.cargo.site/t/original/i/2698fcd15d5d1f96e80c373fded311d80420e0bb5fa176aa139afa50d0962719/UDHYGUFISAD1.jpg" data-mid="170053940" border="0"  src="https://freight.cargo.site/w/1000/i/2698fcd15d5d1f96e80c373fded311d80420e0bb5fa176aa139afa50d0962719/UDHYGUFISAD1.jpg" /&#62;

CREDITS:
Backstage Pics: Mirko Pirisi
Video: Esmeralda Spitaleri
</description>
		
	</item>
		
		
	<item>
		<title>INESCAPABLE ENTANGLEMENT</title>
				
		<link>https://letiziaartioli.com/INESCAPABLE-ENTANGLEMENT</link>

		<pubDate>Mon, 06 Feb 2023 22:20:47 +0000</pubDate>

		<dc:creator>letiziaartioli.com</dc:creator>

		<guid isPermaLink="true">https://letiziaartioli.com/INESCAPABLE-ENTANGLEMENT</guid>

		<description>
INESCAPABLE ENTANGLEMENT

Premiered ARS ELECTRONICA 22 LINZ 7-11 SEPT&#38;nbsp;MEDIACOELI + XRE ENSEMBLEInstallation, AR Sculptures, Performance (09-09-2022)“Inescapable Entanglement” is a posthumous narration of the emotional reaction to the climate change crisis. We ask “How can technology serve us?” while acknowledging that Solastalgia (distress caused by environmental change) grows. At the intersection of performance (Chekhov’s play "Uncle Vanya"), AR (live climate change metrics), soundscapes and biometric data visualization of physiological responses we invite audiences to discover possibilities of living on an intrinsically entangled Planet.


&#60;img width="1396" height="594" width_o="1396" height_o="594" data-src="https://freight.cargo.site/t/original/i/e2905dee4fd6c9afc42660524e34e28fb55432104b992e4cdf96e7badb44d328/MOODBOARD-CONCEPT-defffff-1.jpg" data-mid="167503180" border="0"  src="https://freight.cargo.site/w/1000/i/e2905dee4fd6c9afc42660524e34e28fb55432104b992e4cdf96e7badb44d328/MOODBOARD-CONCEPT-defffff-1.jpg" /&#62;
&#60;img width="2480" height="3093" width_o="2480" height_o="3093" data-src="https://freight.cargo.site/t/original/i/9f158e4be565022235c816d3f83400ce73e9095b4ce6927accdb58be1a5ded7a/GRAD-VIS-copia.jpg" data-mid="167503061" border="0"  src="https://freight.cargo.site/w/1000/i/9f158e4be565022235c816d3f83400ce73e9095b4ce6927accdb58be1a5ded7a/GRAD-VIS-copia.jpg" /&#62;
&#60;img width="512" height="307" width_o="512" height_o="307" data-src="https://freight.cargo.site/t/original/i/c0d1ca892c3d5192e14d6b31cb7c8d114342bc2400675472d20b936dcfefcad6/unnamed-1.jpg" data-mid="167503223" border="0"  src="https://freight.cargo.site/w/512/i/c0d1ca892c3d5192e14d6b31cb7c8d114342bc2400675472d20b936dcfefcad6/unnamed-1.jpg" /&#62;
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&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/968f1a77beeb187d48b6088827beaf0787b4896e1c4d92445af9c99bd71ab07f/52341430002_a39659d51e_o.jpg" data-mid="167503296" border="0"  src="https://freight.cargo.site/w/1000/i/968f1a77beeb187d48b6088827beaf0787b4896e1c4d92445af9c99bd71ab07f/52341430002_a39659d51e_o.jpg" /&#62;
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&#60;img width="3114" height="1346" width_o="3114" height_o="1346" data-src="https://freight.cargo.site/t/original/i/05f3c8e993a899c4ee1cb2239c8dc6a98fa85541c7f20c2cd941ed8601462cef/298617321_422172839944493_5979457725874755876_n.jpg" data-mid="167503376" border="0"  src="https://freight.cargo.site/w/1000/i/05f3c8e993a899c4ee1cb2239c8dc6a98fa85541c7f20c2cd941ed8601462cef/298617321_422172839944493_5979457725874755876_n.jpg" /&#62;
&#60;img width="1182" height="1200" width_o="1182" height_o="1200" data-src="https://freight.cargo.site/t/original/i/fb8c3ccb71a9bec2cb9df86f1c7443ad4ce3679de6ea06eee5bbe27d8e2a2c35/298703434_422707403224370_4099855463701243401_n.jpg" data-mid="167503510" border="0"  src="https://freight.cargo.site/w/1000/i/fb8c3ccb71a9bec2cb9df86f1c7443ad4ce3679de6ea06eee5bbe27d8e2a2c35/298703434_422707403224370_4099855463701243401_n.jpg" /&#62;
&#60;img width="1024" height="838" width_o="1024" height_o="838" data-src="https://freight.cargo.site/t/original/i/8e10324f137f8ad0e827203d4f8976c51788675e20c13247349f716d83cc1e34/b82aefb84cfb5e818dda7db43fdccd4c.jpg" data-mid="167503578" border="0"  src="https://freight.cargo.site/w/1000/i/8e10324f137f8ad0e827203d4f8976c51788675e20c13247349f716d83cc1e34/b82aefb84cfb5e818dda7db43fdccd4c.jpg" /&#62;
&#60;img width="876" height="648" width_o="876" height_o="648" data-src="https://freight.cargo.site/t/original/i/1bd2eadfaf53f49de18c6f3aa6f3d278d39ec6359baa3ba790f218d4a57c6c30/cams_gfas_sweurope_frp_c_june_august_2022_0.png" data-mid="167503466" border="0"  src="https://freight.cargo.site/w/876/i/1bd2eadfaf53f49de18c6f3aa6f3d278d39ec6359baa3ba790f218d4a57c6c30/cams_gfas_sweurope_frp_c_june_august_2022_0.png" /&#62;


The artwork is composed of elements reclaimed from the landscape destroyed by wildfires. On the ground, you will find Cubes made of recovered wood from a wildfire in Italy (Toscana, 19/07/2022, 195 hectares) with the QR acting as a bridge to the simulacrum that describes and represents the incendiary devastation.
In an anti-extractivist logic, we were concerned to develop a project that, rather than consuming resources, would strive to create a dialogue between what is lost and what is possible to create in the process. In the Mediterranean area, 2022 is a record year for fires: while in the last 15 years the average has been 263 for the entire season, those that have broken out in Italy since the beginning of the year have already reached 243. Data from Effis shows that as of 23 July, just over 515,000 hectares (1.27m acres) of land had been burned across EU countries. This is four times the average recorded since 2006, and is nearly twice the previous record seen across this time.
The phenomena involves all of Europe, since the goal of carbon offsetting seems even more distant if we consider the years it takes for a tree to grow and reabsorb the substances released into the atmosphere. The installation aims to connect the surroundings with the users through an immersive audiovisual experience. You are listening to a soundscape created by the trees that surround you. A Plantwave device is attached to the leaves through sensors. They pick up the slight electronic variations within the tree.These variations are then graphed as a wave which is translated into pitch messages that trigger a midi instrument. Sit down and enjoy the sonic scape that these trees provide for you.As Mediacoeli, we translated data into matter. These forests have become the raw material for building a fundamental awareness to protect our healing landscapes as eco-systemic, not ego-systemic beings.Project Credits / Acknowledgements:Concept and production: Letizia Artioli, Luca Cacini, Clara Francesca and Anne WichmannAR,Installation,Projection:Letizia ArtioliPoetry by Clara FrancescaQuotes from *Uncle Vanya* by Anton ChekhovMusic and soundscapes by Anne Wichmann (She’s Excited!)GRS Sensor POC by Mirko Pirisi and Salvatore IsaiaArduino Engineer Gabriele TorelliPresented by XRE and MEDIACOELI with kind support from the US Embassy in Vienna


</description>
		
	</item>
		
		
	<item>
		<title>LIQUID COSMOS</title>
				
		<link>https://letiziaartioli.com/LIQUID-COSMOS</link>

		<pubDate>Mon, 06 Feb 2023 22:20:50 +0000</pubDate>

		<dc:creator>letiziaartioli.com</dc:creator>

		<guid isPermaLink="true">https://letiziaartioli.com/LIQUID-COSMOS</guid>

		<description>
LIQUID COSMOSProjection, InstallationSalone delle Feste,Villa Foscarini Rossi
@Cosmic Dance x PP
2022

&#60;img width="745" height="899" width_o="745" height_o="899" data-src="https://freight.cargo.site/t/original/i/43a652b67d343d284bd3a8536bdf0a102b1fc40a4091cd30a653630158901324/Immagine-2023-02-08-135734-copia.jpg" data-mid="202946270" border="0"  src="https://freight.cargo.site/w/745/i/43a652b67d343d284bd3a8536bdf0a102b1fc40a4091cd30a653630158901324/Immagine-2023-02-08-135734-copia.jpg" /&#62;











The work Liquid Cosmos is an immersive installation based on the liquid space-time that passes between the photos taken by the NASA Hubble telescope (active since 1990) and our biometric dreams on planet Earth.Me and Hubble Telescope have quite the same age. The installation is born from the pictures that Hubble has collected from the cosmos for 30 years and REM-phase API data.

The performance happens between two parallel layers,between light and the parsec it takes in order to liquefy on the timeless reflections of Salone delle Feste (1500ca d.C.) of Villa Foscarini Rossi. The performer, suspended between two dimensions, becomes a turbulence of cloud points that interfers within the reflections of what, we believe, is the reality above us. The performer brings data-light alive in the entropy that intercurrs between deep space and our human dreams.



PLAN STUDY:
&#60;img width="500" height="584" width_o="500" height_o="584" data-src="https://freight.cargo.site/t/original/i/087739eeddcf2028ff94c9233428ea06ed6f018dbcb3111308001cf585c6e1b0/moshed-2023-1-8-13-50-32.gif" data-mid="167714461" border="0" data-scale="30" src="https://freight.cargo.site/w/500/i/087739eeddcf2028ff94c9233428ea06ed6f018dbcb3111308001cf585c6e1b0/moshed-2023-1-8-13-50-32.gif" /&#62;&#38;nbsp;&#60;img width="500" height="584" width_o="500" height_o="584" data-src="https://freight.cargo.site/t/original/i/1f8a760e529c70cc46c706592431f32ab9ef41a8bbf75e842e707b0147807259/moshed-2023-1-8-13-49-39.gif" data-mid="167714439" border="0" data-scale="30" src="https://freight.cargo.site/w/500/i/1f8a760e529c70cc46c706592431f32ab9ef41a8bbf75e842e707b0147807259/moshed-2023-1-8-13-49-39.gif" /&#62;&#38;nbsp;&#60;img width="500" height="584" width_o="500" height_o="584" data-src="https://freight.cargo.site/t/original/i/2939761188ea8de204b44aad62802dbfd7b618b0a7a77a44bdda04474d924d12/moshed-2023-1-8-13-50-47.gif" data-mid="167714474" border="0" data-scale="30" src="https://freight.cargo.site/w/500/i/2939761188ea8de204b44aad62802dbfd7b618b0a7a77a44bdda04474d924d12/moshed-2023-1-8-13-50-47.gif" /&#62;

MATERIALS:

Mirrors,Projector,API data (REM phase), Digital Archive Images (Nasa CC-0)





CREDITS
Hubble Telescope Pictures: NASA Public Domain Archive&#38;nbsp;


Soundscape: Publishing Station
Performance:Ilaria Foroni
Soundscape Intro/AI Voices: Letizia Artioli





</description>
		
	</item>
		
		
	<item>
		<title>MŪ</title>
				
		<link>https://letiziaartioli.com/MU</link>

		<pubDate>Tue, 29 Nov 2022 22:49:02 +0000</pubDate>

		<dc:creator>letiziaartioli.com</dc:creator>

		<guid isPermaLink="true">https://letiziaartioli.com/MU</guid>

		<description>
	
	

MŪ/MELTING MEMORIES&#38;nbsp;Double Projection @ Laguna Festival
	

PREMIERED AT LAGUNA FESTIVAL,&#38;nbsp;Tesa Art Exhibition, Forte Marghera //

Venice 

 
 2022






MŪ(μ), 30 February 2168. They said the rocks were able to sing. They said the light was particle and wave. They said the sea had limits. Our analog memories melt into this post-human landscape.&#38;nbsp;
 

The imaginary exploration of MU in the year 2168 takes place between an analog and a virtual dichotomy. Disruptive phenomena of climate change produce a post-human digital hypothesis of the European continent, where the analog landscapes from our current memories fade away.






&#60;img width="1000" height="305" width_o="1000" height_o="305" data-src="https://freight.cargo.site/t/original/i/a78ce6ab3ab5f09791bce8ea0d0fb907a383728cdd5fd3ac7d774561e5a6e218/snow.jpg" data-mid="167505022" border="0"  src="https://freight.cargo.site/w/1000/i/a78ce6ab3ab5f09791bce8ea0d0fb907a383728cdd5fd3ac7d774561e5a6e218/snow.jpg" /&#62;&#60;img width="1920" height="400" width_o="1920" height_o="400" data-src="https://freight.cargo.site/t/original/i/d08ace1a50cb88f12533321872b9e394be19d8d5a53083f336bed246b569207c/capre-e-cavoli.jpg" data-mid="167730041" border="0"  src="https://freight.cargo.site/w/1000/i/d08ace1a50cb88f12533321872b9e394be19d8d5a53083f336bed246b569207c/capre-e-cavoli.jpg" /&#62;&#60;img width="1500" height="379" width_o="1500" height_o="379" data-src="https://freight.cargo.site/t/original/i/c66ca87c333a08dd7553813cab8cbb5c90f1284801ab96bb029b47578935ab79/montagne-di-fumo.jpg" data-mid="167505021" border="0"  src="https://freight.cargo.site/w/1000/i/c66ca87c333a08dd7553813cab8cbb5c90f1284801ab96bb029b47578935ab79/montagne-di-fumo.jpg" /&#62;
&#60;img width="1998" height="641" width_o="1998" height_o="641" data-src="https://freight.cargo.site/t/original/i/4a901372b9c8cd9ac7a16c371214e5835d48508d18125a2f0b66f4abb30e382a/piramide-2.jpg" data-mid="167505024" border="0"  src="https://freight.cargo.site/w/1000/i/4a901372b9c8cd9ac7a16c371214e5835d48508d18125a2f0b66f4abb30e382a/piramide-2.jpg" /&#62;





MŪ(μ), 30 February 2168. They said the rocks were able to sing. They said the light was particle and wave. They said the sea had limits. Our analog memories melt into this post-human landscape. The sea level is 3 meters above what our ancestors used to call land. MU is where sea level rose, and our landscapes of care disappeared, letting space fishes fly and snow horses swim. In February 2021 , a paper published in Ocean Science suggested that past projections for global sea level rise by 2100 reported by the IPCC were likely conservative, and that sea levels will rise more than previously expected . 
Historically, Mu is a hypothetical disappeared continent in the Pacific Ocean, described by the Anglo-American James Churchward (1851-1936), on the basis of a translation, from the 19th century by the Flemish abbot Charles Etienne Brasseur de Bourbourg from a Mayan manuscript. MŪ (μ) 2168 is an imaginary not-so-far future, where our present landscapes will become the next theatre for MŪ's lost legend. The imaginary exploration of MU in the year 2168 takes place between an analog and a virtual dichotomy. Disruptive phenomena of climate change produce a post-human digital hypothesis of the European continent, where the analog landscapes from our current memories fade away.


MŪ (μ) 2168 is an imaginary not-so-far future, where our present landscapes will become the next theatre for MU's lost legend. 
“And then, they danced on our melting memories.”

&#60;img width="600" height="740" width_o="600" height_o="740" data-src="https://freight.cargo.site/t/original/i/5323353e0335ef7487df03d7369c8aa8d7d669a39ddc58706e68f94907201962/001.jpg" data-mid="167505020" border="0" data-scale="42" src="https://freight.cargo.site/w/600/i/5323353e0335ef7487df03d7369c8aa8d7d669a39ddc58706e68f94907201962/001.jpg" /&#62;

CREDITS:L.A.M.P.&#38;nbsp;VR / PROJECTION / Morphing: Letizia Artioli






Thanks to all who danced our melting memories.



&#60;img width="1055" height="2000" width_o="1055" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2bd0bf0e23a1d31d803e8a60b4b41515ec53caf1b4830577d4ae49cd94661d20/limulo.jpg" data-mid="210035516" border="0"  src="https://freight.cargo.site/w/1000/i/2bd0bf0e23a1d31d803e8a60b4b41515ec53caf1b4830577d4ae49cd94661d20/limulo.jpg" /&#62;








</description>
		
	</item>
		
		
	<item>
		<title>S.O.I.L.</title>
				
		<link>https://letiziaartioli.com/S-O-I-L</link>

		<pubDate>Tue, 24 Jun 2025 15:57:29 +0000</pubDate>

		<dc:creator>letiziaartioli.com</dc:creator>

		<guid isPermaLink="true">https://letiziaartioli.com/S-O-I-L</guid>

		<description>S.O.I.L.


Sensing Outer Identities Landscape







MUSAE II S+T+Arts Residency

Concept &#38;amp; Prototypehttps://musae.starts.eu/s-o-i-l/
Grounded in the exploration of soil as a living entity within the framework of Bio-Intelligent Data, the project investigates the profound interconnection between the human body and the soil through sensory and proprioceptive processes embedded in an innovative wearable technology. Central to this exploration is the concept of attunement, where the wearer aligns iteratively with the dynamic rhythms of the soil, fostering an embodied awareness of its health and vitality.

By translating environmental data into tactile and sonic stimuli, it amplifies the wearer’s awareness, creating a symbiotic relationship with the earth’s skin: soil as a living, breathing entity. The aim is to foster a reimagined engagement with the environment through sensorial stimuli that reconnect humans with soil’s intrinsic value. This holistic approach frames soil as “S.O.I.L.—Sensing Outer Identities Landscape,” emphasizing its central role in ecological and sensory regeneration.


The wearable technology concept is aligned with the BIO INTELLIGENT DATA scenario, which envisions a future where the boundary between the physical and digital worlds is blurred. The project connects human proprioception with environmental data, specifically soil health, by translating this data into haptic feedback and sensory stimuli. This creates a new language that allows humans to experience the flow of data from the earth directly through their bodies. 
In a world where soil biodiversity is under threat, the wearable amplifies the connection between humans and the environment by transforming soil data into sound and vibration, giving voice to the often-overlooked soil microbiome. This hybrid interaction fosters a deeper understanding of living data, making the human body a sensor that perceives the hidden patterns and needs of the earth, thereby creating a symbiotic relationship between humans, non-humans, and the environment. The project envisions a future where human decisions are informed by biological intelligence and emotional connections to the natural world.



&#60;img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/a6293c501b8a2797d545f98af454f91fac13aab7d774e1a1c21fe449189e4873/SOIL-Template-1.png" data-mid="234978884" border="0"  src="https://freight.cargo.site/w/1000/i/a6293c501b8a2797d545f98af454f91fac13aab7d774e1a1c21fe449189e4873/SOIL-Template-1.png" /&#62;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/efb955d358f1d610c8e4c5ce818d06b3bbbd2e740b145bd675d67996edd1221b/vlcsnap-2025-06-17-15h00m56s839.png" data-mid="234979175" border="0"  src="https://freight.cargo.site/w/1000/i/efb955d358f1d610c8e4c5ce818d06b3bbbd2e740b145bd675d67996edd1221b/vlcsnap-2025-06-17-15h00m56s839.png" /&#62;
&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/34ea0de9bd935b3fb5e3d3d255942b56c46e5d6bb0c981d9652b90b954fc0b9f/MIDTERM-ASSESSMENT-7.png" data-mid="234978894" border="0"  src="https://freight.cargo.site/w/960/i/34ea0de9bd935b3fb5e3d3d255942b56c46e5d6bb0c981d9652b90b954fc0b9f/MIDTERM-ASSESSMENT-7.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/62a4976c579e1561627a63f86529ea0be2d6d758b79217e09b41f0a0af0c4826/soil_still_2.5.1.png" data-mid="245989446" border="0"  src="https://freight.cargo.site/w/1000/i/62a4976c579e1561627a63f86529ea0be2d6d758b79217e09b41f0a0af0c4826/soil_still_2.5.1.png" /&#62;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/893544028d492af7926733e271b7320363382687e17645b1a859d73b0bc1e76d/soil_still_4.2.1.png" data-mid="245989466" border="0"  src="https://freight.cargo.site/w/1000/i/893544028d492af7926733e271b7320363382687e17645b1a859d73b0bc1e76d/soil_still_4.2.1.png" /&#62;






Credits: 
S.O.I.L. Team: 
Letizia Artioli, Artist&#38;amp;Researcher / Giovanni Didonna,UpToEarth Italia 
///// 
Federico Mantovan , Founder Donna Gnora Farm, Farmer / 
Jacopo Zanessi, Cinematographer / 
Nicolò Merendino, Interaction designer and Digital Fabrication consultant / 
Lara Perbellini, Bespoke Tailor / 
Rachwill Bredell, MAX/MSP interactive programming


</description>
		
	</item>
		
		
	<item>
		<title>DE RERUM INVISIBILIA</title>
				
		<link>https://letiziaartioli.com/DE-RERUM-INVISIBILIA</link>

		<pubDate>Tue, 30 Apr 2024 16:24:02 +0000</pubDate>

		<dc:creator>letiziaartioli.com</dc:creator>

		<guid isPermaLink="true">https://letiziaartioli.com/DE-RERUM-INVISIBILIA</guid>

		<description>DE RERUM INVISIBILIA
Sonic Landscape“Shaped by Design”/Palazzo della Regione
Milan Design Week / ID.exe 2024

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De Rerum Invisibilia
Is a sonic and visual composition, where the dichotomic relationship that we wave with nature, is undisclosed as the urgency of preserving the symbiosis between pollinators and plants.

The soundscape you are experiencing is a collection of field recordings of European landscapes and ecosystems that have been lost in the last 10 years due to climate change.

The tableaux vivants (M. S. Merian 1647-1717), show how pollinators see flowers. The invisible spectrum that escapes our perception and is the fundamental bond of ecosystem’s biodiversity.

De Rerum Invisibilia is an amplification of the symbiotic bond that binds us to ecosystems, invisible but inextricable to our survival. In the global drop of biodiversity, we see and hear the landscapes we inhabit slowly disappearing under our eyes while plants and insects fluctuate together becoming digital ghosts.



	


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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d57d861bb895b611b5da7a0c24ff5d0e0cd7a8f1ab04536364630b4929c00415/IMG-20240415-WA0021.jpg" data-mid="210036514" border="0"  src="https://freight.cargo.site/w/1000/i/d57d861bb895b611b5da7a0c24ff5d0e0cd7a8f1ab04536364630b4929c00415/IMG-20240415-WA0021.jpg" /&#62;






























PRESS:ID.exeVanity F-Air

MATERIALS:

Microspeakers
SOURCES:




















Sounds:Radio Aporee SoundMap




Installation
&#38;amp; Composition: Letizia Artioli















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